Wuzhen Ancient Town Tourist Area

Location Map

Map of Wuzhen Ancient Town Tourist Area

Ticket Price

Ticket Prices

Wuzhen East & West Scenic Zones Combo Ticket: ¥190

Wuzhen West Scenic Zone Ticket: ¥150

Wuzhen East Scenic Zone Ticket: ¥110

Opening Hours

Opening Hours

January 1 to April 30

08:00–22:00, last entry at 21:00

May 1 to October 7

07:00–22:00, last entry at 21:00

October 8 to December 31

08:00–22:00, last entry at 21:00

Additional Notes:

  • West Scenic Area (Xīzhà): 9:00–22:00 (Venue opening hours: Summer: 8:00–17:30, Winter: 8:00–17:00)
  • East Scenic Area (Dōngzhà): Summer: 7:00–18:00, Winter: 7:00–17:30 (Mao Dun’s Former Residence operating hours: Summer: 8:00–17:30, Winter: 8:00–17:00)
  • Wuzhen Village (Wūcūn): 9:00–20:00 (It is recommended to enter by 16:00 at the latest)

Recommended Duration

Suggested Duration for Visit

1-2 days

Best Time to Visit

Best Time to Visit

Suitable for all seasons

Official Phone

Scenic Area Telephone

0573-88733009

Transportation

Transportation Guide

For those arriving by rail, you can first get off at Tongxiang Station. From there, direct shuttle buses to Wuzhen Station are available, with routes K282/K281 both serving the route. Then, at Wuzhen Bus Station, you can take the K350 bus directly to the scenic area.

Classical Route

Wuzhen Scenic Area Route

The route through the Wuzhen scenic area is straightforward—simply walk from one end to the other and then return, forming a loop along both banks of the river. There is a free shuttle ferry between the East and West Scenic Zones, allowing you to easily move on to the next area after exploring one.

Important Notes

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Important Child Sites

Main Attractions

Wuzhen East Scenic Zone

Overview

The East Scenic Zone boasts a vast area with serene and beautiful scenery. The tour route is approximately 2 kilometers long, composed of the East Old Street, Guanqian Street, riverside water pavilions, and covered corridors. Immersing oneself in the East Zone allows for a deep appreciation of the uniquely tranquil and graceful ambiance characteristic of Jiangnan water towns.

Attractions

Jiangnan Wood Carving Exhibition Hall

Originally the mansion of the Xu family in the East Zone, also known as Baihua Hall, the Jiangnan Wood Carving Exhibition Hall is famous for its exquisite wood carvings. Today, the main and side rooms display a rich collection of fine ancient Chinese wood carvings. The carvings are diverse in type and subject matter, featuring folk legends such as "The Eight Immortals Crossing the Sea" and "Guo Ziyi's Birthday Celebration," scenes from daily life like "Fishing" and "Cricket Fighting," as well as traditional patterns such as "Dragon and Phoenix Bringing Prosperity" and "Plum, Orchid, Bamboo, and Chrysanthemum," all depicting the folk customs distinctive to the Jiangnan region.

Mao Dun's Former Residence

Mao Dun's Former Residence is located at No. 17 Guanqian Street on the east bank of the Wuzhen city river. It is a two-story wooden structure with four bays and two courtyards, facing south, covering a total area of about 450 square meters. The residence is divided into eastern and western units, purchased separately by Mao Dun's great-grandfather. It includes buildings such as bedrooms, a study, and a dining room, with furniture and arrangements preserved as they were when Mao Dun lived there.

Xia Tongshan's Former Residence Site

In the main hall of Xia Tongshan's Former Residence Site hangs a portrait of an official dressed in Qing dynasty court attire, complete with a peacock feather hat ornament. This residence belonged to Xia Tongshan's maternal grandfather's family and is associated with a story related to "Yang Naiwu and Xiao Baicai."

Xiuzhen Taoist Temple Ancient Stage

The Xiuzhen Taoist Temple Ancient Stage is an auxiliary building of the Taoist temple, constructed in the 14th year of the Qianlong era (1749). Like the Xiuzhen Temple, it suffered repeated damage but has been preserved since its renovation in the 8th year of the Republic of China (1919). The stage covers an area of 204 square meters, facing the Xiuzhen Temple across Guanqian Street to the north, bordering the East Market River to the south, and leaning against Xinghua Bridge to the east. The stage features a hip-and-gable roof with upturned eaves, blending solemnity with elegance. The corbels between the beams and columns are exquisite wood carvings of high artistic value. The stage has two levels: the ground floor is enclosed with bricks and stones, with side and front entrances. The side door leads to the riverbank, and a small staircase at the back of the ground floor connects to the upper stage, which can also be accessed from boats via a trapdoor. The upper level is divided into front and rear sections: the rear is the dressing room, with carved low windows, spacious and bright; the front is the performance stage, facing the square.

On the stage pillars of the Xiuzhen Taoist Temple Ancient Stage hangs a couplet: "With a round of gongs and drums, awakening the spring dreams of the mortal world; With two notes of music, conveying the celestial immortals from heaven." Above the center hangs a horizontal plaque inscribed with "Take History as a Mirror." In the past, divine operas were performed on the stage during events such as the Welcoming the God of Wealth on the fifth day of the first lunar month, the Welcoming the Dongyue Temple Fair on the 28th day of the third lunar month, and the Welcoming the Plague Marshal Fair on the 15th day of the fifth lunar month, to entertain the deities of the Xiuzhen Temple. On ordinary days, "penalty operas" were also performed. Penalty operas were a traditional method in Wuzhen to resolve disputes: if someone harmed public interests and aroused public anger, the offender had to pay for an opera troupe to perform before the gods as an act of repentance.

Huiyuan Pawnshop

Huiyuan Pawnshop is located between Yingjia Bridge and Nanhua Bridge, with a five-bay storefront, two stories, and a 1.8-meter-high counter. According to the "Wuzhen Gazetteer," Wuzhen once had up to 13 pawnshops, with 7 remaining before the Taiping Heavenly Kingdom. By the 20th year of the Republic of China (1931), only Huiyuan Pawnshop remained in operation. Before the Japanese invasion, the pawnshop only accepted items but did not issue loans, and it soon closed down. With the closure of Huiyuan Pawnshop, the history of pawnshops in Wuzhen came to an end.

Jiangnan Hundred-Bed Museum

The Jiangnan Hundred-Bed Museum is China's first museum dedicated to collecting and exhibiting ancient Jiangnan beds. Locals also call it the Zhao Family Hall. Covering an area of over 1,200 square meters, it houses dozens of fine ancient beds from the Ming, Qing, and modern periods. The collection includes wooden beds from wealthy merchants to ordinary commoners, ranging from single-room beds to multi-room beds (equipped with dressing rooms, bathrooms, servant quarters, etc.). It showcases both the luxury of the nobility and the simplicity of ordinary people.

Hongyuantai Dyehouse

Hongyuantai Dyehouse was founded during the Song and Yuan dynasties, originally located in the South Scenic Zone and relocated here during the Guangxu era of the Qing dynasty. It serves as a production base for blue calico and a distribution center for blue calico products. Chinese blue calico is world-renowned, and Wuzhen is one of its places of origin.

Old Street and Long Alleys

Wuzhen boasts a significant number and scale of streets, blocks, and alleys, commonly known as having four gates, eight blocks, and dozens of alleys. The eight main streets are Changchunli Street, Chengjiangli Street, Tongli Street, South Street, Central Street, North Street, Guanqian Street, and East Street.

Fengyuan Twin Bridges

Fengyuan Twin Bridges are also known as covered bridges because of their covered corridor. Below the bridges are water railings, which served as checkpoints for water traffic in ancient times. Legend has it that there is a custom of men walking on the left and women on the right when crossing the bridges. To cross the bridges, one must walk on both the left and right sides, giving rise to the saying that crossing these bridges brings good fortune from all sides.

Wuzhen West Scenic Zone

Overview

The West Scenic Zone is located on West Street in Wuzhen, adjacent to the ancient Beijing-Hangzhou Grand Canal. It is conveniently connected by roads to Jiangsu, Suzhou, and Tongxiang city. Unlike the East Zone, which focuses on tourism, the West Zone emphasizes business travel and leisure vacations. The West Scenic Zone covers a vast area with crisscrossing waterways, featuring 72 ancient bridges. Its density of canals and number of stone bridges are the highest among ancient towns in China.

Attractions

White Lotus Pagoda

The White Lotus Pagoda is located on Huanhe Island by the Grand Canal in the West Zone. The pagoda has seven stories, standing about 51 meters tall, making it the tallest structure in Wuzhen. Below the pagoda is an octagonal Shenglian Square, which includes a release pond. On the eastern bank of the river, there is a stone boat. The White Lotus Pagoda is a pavilion-style pagoda with a brick-and-wood mixed structure, typical of the Song and Yuan periods in the Jiangsu-Zhejiang region. Viewed from the outside, the pagoda appears spindle-shaped, but its base is actually a 24-meter by 24-meter square. The interior floor is paved with plain square bricks.

Water Stage

The Water Stage is located on the north side of the West Old Street. What makes this stage special is that it is built over water, hence its name "Water Stage." Its scale and exquisite craftsmanship are rare in China.

Yichang Smelting Workshop

The Yichang Smelting Workshop is located on the south bank of the West Zone. It was established during the Jiajing era of the Ming dynasty by a blacksmith from Huzhou who came to Wuzhen to open the workshop. Upon entering, one is greeted by a surrounding corridor, and in the center of the courtyard stands a massive "World's Largest Pot," with a diameter of about 5 meters. The casting mark on the bottom reads: "World's Largest Pot, made in the 5th year of Tongzhi."

Zhaoming Academy

The Zhaoming Academy features an open courtyard with a stone archway illuminated by lantern light. The upper stone slab bears four large characters: "Relics of the Six Dynasties," while the lower slab reads: "The place where Crown Prince Zhaoming of Liang and Minister Shen studied." According to historical records, this stone archway was built during the Wanli era of the Ming dynasty, standing 3.75 meters high and 3.8 meters wide. The inscription "The place where Crown Prince Zhaoming of Liang and Minister Shen studied" on the dragon-and-phoenix board was written by Shen Shimao, a supervising secretary of the Ministry of Justice and a local resident. During the Cultural Revolution, it was preserved by someone who covered it with lime. Behind the stone archway is a spacious garden with four ponds in front and ancient trees towering around. The academy faces south and is a two-story hard-mountain-style ancient architectural complex with semi-corridors. The main building is a library. Inside the library's entrance corridor, some collected ancient plaques and calligraphy and painting works are displayed.

Wang Huiwu Memorial Hall

The Wang Huiwu Memorial Hall displays many historical materials about Wang Huiwu. A statue of Wang Huiwu dressed as a young woman and a model of the "First National Congress of the Communist Party of China Memorial Boat" particularly attract the attention of visitors and audiences, highlighting Wang Huiwu's outstanding contributions to ensuring the smooth convening of the "First National Congress." Wang Huiwu is celebrated as the "Red Guardian," "Guardian of the First Congress," and "Unsung Hero Behind the First Congress." Although Wang Huiwu never joined the Communist Party of China, her contributions to the Party and the people are beyond description with mere beautiful words. Her achievements will forever be recorded in the history of the Communist Party of China and etched in the hearts of the Chinese people.

Mao Dun Memorial Hall

The Mao Dun Memorial Hall covers a construction area of about 1,000 square meters, divided into two floors. It displays 59 of Mao Dun's personal belongings, nearly 1,000 books, and over 90 photographs, many of which are being exhibited for the first time. The exhibition hall follows the main themes of Mao Dun's life journey and literary path, showcasing his magnificent life. In the center of the pond, on a black granite platform, stands a statue of Mao Dun. It is carved from white marble at a 1:1.3 scale, based on Mao Dun's appearance at the time of his passing, expressing the deep nostalgia and reverence of the people of Wuzhen for him. The murmuring water in the pond flows continuously, symbolizing the enduring legacy of Mao Dun's advocacy for "literature for life," passed down through generations. On the opposite wall is engraved the letter Mao Dun wrote to the Central Committee of the Communist Party of China before his death, requesting the restoration of his Party membership.

Mao Dun CemeteryMao Dun Memorial Park covers an area of 2,150 square meters and, when viewed from above, resembles the Chinese character "子" (zi), a reference to Mao Dun's famous work Midnight. The entire park is lush with pine and cypress trees, creating a solemn and dignified atmosphere. It houses not only the ashes of Mao Dun and his wife, Kong Dezhi, but also the tomb of Mao Dun's mother, Chen Aizhu. In front of Mao Dun's tomb stands a bronze bust of the author, modeled after his appearance during his tenure as Minister of Culture. Ahead of the bust lies a black granite tombstone shaped like an open book, with the manuscript of the first chapter, "Sunset," from Mao Dun's representative work Midnight engraved on its pages. Behind the bust, the burial chamber contains the ashes of Mao Dun and his wife. The entire tomb is a regular oval shape. The inscription "Mao Dun's Tomb" at the front was penned by the renowned Chinese poet Zang Kejia, a close friend of Mao Dun who, deeply grieved by Mao Dun's passing, commemorated him through various means, including writing articles and inscriptions. The tomb features 85 steps, symbolizing the 85 years of Mao Dun's life, while the platforms on the steps represent the turning points in his life across different historical stages.

Herbal Dyeing Workshop

The Herbal Dyeing Workshop is a large-scale, eco-friendly manual dyeing and drying facility. The cloth-drying area is paved with blue bricks and densely lined with tall poles and tiered drying racks, making it quite expansive. In addition to using indigo plants to produce blue-dyed fabrics, the workshop employs a unique color-baking process. The rich colors used in this process are extracted from local herbal materials, such as tea leaves, mulberry bark, and Chinese tallow leaves, which is why the workshop is locally known as the Herbal Dyeing Workshop.

Hall upon Hall

Zhu Family Hall is the residence of a prominent Zhu family in Wuzhen, locally referred to as "Hall upon Hall." In Wuzhen, there are many grand residences and halls belonging to wealthy families, such as the Xu Family Hall and Zhao Family Hall on East Street, all featuring distinctive architectural styles and exquisitely carved halls. Zhu Family Hall not only incorporates the characteristics of these grand residences but is also unique in Wuzhen for its defining feature: a hall built upon another hall.

Official Website

Scenic Area Official Website

http://www.wuzhen.com.cn/

Brief History

Wuzhen Ancient Town Tourist Area in Jiaxing

1. Introduction

The Wuzhen Ancient Town Tourist Area in Jiaxing is located at No. 18 Shifo South Road, Tongxiang City, Jiaxing City, Zhejiang Province. A cross-shaped inland river system divides the entire town into four blocks: east, south, west, and north, locally referred to as "Dongzha, Nanzha, Xizha, and Beizha." The town covers an area of 79 square kilometers. Wuzhen, historically known as Wudun and Wushu, boasts a history of over 7,000 years and a history as a town for more than 1,300 years. It is a typical ancient water town in the Jiangnan region of China, traditionally known as the "Land of Fish and Rice" and the "Home of Silk," and is acclaimed as "China's Last Waterfront Community." Wuzhen features streets formed along rivers, interconnected bridges and lanes, houses built by the water, arcades spanning streets, bamboo and stone railings, waterside pavilions, and a wealth of residential architecture from the Ming and Qing dynasties, such as the Jiangnan Woodcarving Exhibition Hall, the Xiuzhen Taoist Temple Ancient Stage, the Huiyuan Pawnshop, the Yichang Smelting Workshop, and the Zhaoming Academy. Major attractions include the Wuzhen Folk Customs Museum, the Jiangnan Hundred-Bed Museum, the Traditional Workshop Area, the Xiangshan Hall, the Fist Boat Performance, and the Fengyuan Twin Bridges. The original appearance and layout of this ancient water town have been meticulously preserved.

2. Geographical Environment

2.1 Location and Territory

The Wuzhen Ancient Town Tourist Area in Jiaxing is located at No. 18 Shifo South Road, Tongxiang City, Jiaxing City, Zhejiang Province, situated in the heart of the Hangjiahu Plain. It borders Nanxun District of Huzhou City to the west and Wujiang City of Suzhou, Jiangsu Province to the north, marking the junction of two provinces (Zhejiang and Jiangsu) and three cities (Jiaxing, Huzhou, and Suzhou). Land transportation includes the county-level Yaozhen Road traversing the town area, connecting via Yaozhen Road to provincial highway Yanhu Road, national highways 320 and 318, the Shanghai-Hangzhou Expressway, the Shenjiahu Expressway, and the Zhajiasu Expressway. Wuzhen is 13 kilometers from downtown Tongxiang, approximately 27 kilometers, 45 kilometers, and 60 kilometers from the surrounding cities of Jiaxing, Huzhou, and Wujiang respectively, 80 kilometers from both Hangzhou and Suzhou, and 140 kilometers from Shanghai. The built-up area covers 2.5 square kilometers.

2.2 Climate Characteristics

The Wuzhen Ancient Town Tourist Area in Jiaxing is located on the southeastern coast and belongs to a typical subtropical monsoon climate. It is characterized by warmth, humidity, abundant rainfall, and ample sunshine, with distinct seasons: long springs and short autumns, cold winters and hot summers, warm springs and cool autumns. The annual average temperature is 16.1°C. January is the coldest month with an average temperature of 3.6°C; July is the hottest with an average of 28.1°C. The annual average precipitation is 1233.9 millimeters, with three distinct rainy periods: April-May (spring rain), June-July (plum rain), and August-September (autumn rain). Snow occurs in winter. Wuzhen averages 1842.3 hours of sunshine annually. The year is divided into 78 days of spring, 90 days of summer, 64 days of autumn, and a long winter of 133 days.

2.3 Hydrology

The rivers within the Wuzhen Ancient Town Tourist Area in Jiaxing belong to the Taihu Canal system of the Yangtze River Basin. The rivers in the area connect to the Chang'an Shangtang River system in Haining to the south and border Jiangsu Province via Lanxi Pond to the north. The Beijing-Hangzhou Grand Canal flows through the area for 41.77 kilometers. There are 46 main waterways in the city, most intersecting perpendicularly with the canal, forming a network. The main waterways connected to the Tongxiang section of the canal include Jinniutang, Baimatang, Kangjingtang, Chang'antang, Hanshantang, Ling'antang, Gaoyangtang, Xishengdaitang, and Changshan River. The total length of waterways is 2401 kilometers, with a combined water area of 46.3 square kilometers, accounting for 6.73% of the city's total area. The river network density is 3.3 kilometers per square kilometer, making it a typical Jiangnan water network plain.

3. Main Attractions

Scenic Area Layout

Wuzhen Ancient Town in Jiaxing is a typical Jiangnan water town, traditionally known as the "Land of Fish and Rice" and the "Home of Silk." The cross-shaped inland river system divides the town into four blocks: east, south, west, and north, referred to as "Dongzha, Nanzha, Xizha, and Beizha." The areas developed for tourism are Dongzha (East Scenic Area) and Xizha (West Scenic Area). The Dongzha Scenic Area is vast, with a tour route of about 2 kilometers, composed of the Dongzha Old Street, Guanqian Street, waterside pavilions, and covered corridors. Immersing oneself in Dongzha allows for a deep appreciation of the unique tranquil and graceful atmosphere of the Jiangnan water town. Attractions in Dongzha include the Huiyuan Pawnshop, Fanglu Pavilion, Shadow Puppetry, Hanlin Mansion, Xiuzhen Taoist Temple, Ancient Stage, Mao Dun's Former Residence, Yu Liuliang Coin Museum, Woodcarving Museum, Indigo Calico Printing Workshop, Gongsheng Distillery, Wuzhen Folk Customs Museum, Jiangnan Hundred-Bed Museum, Traditional Workshop Area, Xiangshan Hall, Fist Boat Performance, Fengyuan Twin Bridges (Tongji Bridge and Renji Bridge), and over twenty other sites. The Xizha Scenic Area is located on West Street in Wuzhen, adjacent to the ancient Beijing-Hangzhou Grand Canal, with direct road access to Jiangsu, Suzhou, and downtown Tongxiang, offering convenient transportation. Unlike Dongzha, which focuses on sightseeing tourism, Xizha emphasizes business tourism and leisure vacations. The Xizha Scenic Area is expansive, with crisscrossing waterways and 72 ancient bridges, boasting the highest density of canals and number of stone bridges among ancient towns nationwide. [23] Main attractions in Xizha include Zhaoming Academy, Caomu Bense Dye Workshop, Waterside Pavilions and Gongbu Stone Tablet, Water Stage and Storytelling Hall, Bridge within a Bridge, Dingsheng Bridge and Dingsheng Cake, General Wu Temple, Yue Lao Temple (Matchmaker Temple), North Wetland, Beijing-Hangzhou Grand Canal, Dragon-shaped Field, and Yuanbao Lake.

3.1 Dongzha (East Scenic Area)

3.1.1 Jiangnan Woodcarving Exhibition Hall

The Jiangnan Woodcarving Exhibition Hall was originally the mansion of the Xu family in Dongzha, also known as Baihua Hall (Hundred Flowers Hall), famous for its exquisite woodcarvings. Today, the main and side rooms display a rich collection of fine ancient Chinese woodcarvings. The woodcarvings are diverse in type and subject matter, featuring folk legends like "The Eight Immortals Crossing the Sea" and "Guo Ziyi's Birthday Celebration," scenes from daily life such as "Fishing" and "Cricket Fighting," and traditional patterns like "Dragon and Phoenix Bringing Prosperity" and "Plum, Orchid, Bamboo, and Chrysanthemum," depicting folk customs with Jiangnan characteristics.

3.1.2 Mao Dun's Former Residence

Mao Dun's Former Residence is located at No. 17 Guanqian Street on the east bank of the city river in Wuzhen. It is a two-story wooden structure with four bays across and two rows deep, facing south, covering a total area of about 450 square meters. The residence is divided into eastern and western units, purchased separately by Mao Dun's great-grandfather. The residence includes buildings such as bedrooms, a study, and a dining room, with furniture and arrangements remaining as they were when Mao Dun lived there.

Related Figure

Mao Dun (1896~1981), originally named Shen Dehong, courtesy name Yanbing, was a renowned modern Chinese writer and literary activist.

Main Structures

Front Row, First Section The first section, with four rooms upstairs and four downstairs, faces Guanqian Street. Above the main door hangs a plaque inscribed "Mao Dun's Former Residence" by Comrade Chen Yun. Adjacent to this is the family school where Mao Dun studied, containing desks and chairs. The two westernmost rooms form a single space serving as the family dining room. The easternmost room upstairs was the bedroom of Mao Dun's grandparents, next to which was his parents' room. Mao Dun and his younger brother Shen Zemin were born in this room. A desk under the south-facing street window is where Mao Dun studied and wrote during his childhood. The two western rooms upstairs were the bedrooms of Mao Dun's second and fourth paternal great-uncles respectively.

Front Row, Second Section Passing through a small courtyard leads to the second section, also with four rooms upstairs and four downstairs, slightly shorter than the first section. The two western rooms upstairs and downstairs are slightly taller than the others, with more elaborate door and window styles, appearing luxurious and refined. The ground floor has two rooms: the western one is a living room, and the eastern one is a passageway. Descending the eastern stairs leads to the kitchen, east of which is a guest hall. Upstairs are bedrooms, from west to east: the bedroom of the great-grandparents, the bedroom of the maid/aunt, connected to the first section by a side corridor.

Rear Row The rear row consists of three single-story houses with a floor area of 104.92 square meters. Mao Dun personally designed the sketches and used the royalties from his novel Midnight to rebuild it into a study with a slight Japanese residential style. The north and south sides feature full-length glass windows, and the doors and windows are also Western-style. Mao Dun lived and wrote here during his subsequent visits to his hometown.

3.1.3 Old Streets and Long Alleys

The number and scale of streets, neighborhoods, and alleys in Wuzhen are remarkable, commonly said to include four gates, eight neighborhoods, and dozens of alleys. The eight main streets are Changchunli Street, Chengjiangli Street, Tongli Street, South Street, Central Street, North Street, Guanqian Street, and East Street.

3.1.4 Fengyuan Twin Bridges

The Fengyuan Twin Bridges are also called Corridor Bridges because they have a covered corridor on top. Under the bridges are water railings, which served as checkpoints for water traffic in ancient times. Legend has it that there is a custom of men walking on the left and women on the right when crossing these twin bridges. To cross once, one must walk separately on the left and right halves, hence the derivation that walking this bridge brings favorable outcomes from both sides (a play on the name Fengyuan, meaning "meeting sources").

3.1.5 Jiangnan Hundred-Bed Museum

The Jiangnan Hundred-Bed Museum is China's first museum dedicated to collecting and exhibiting ancient Jiangnan beds, locally known as Zhao Family Hall. Covering an area of about 1200 square meters, it houses dozens of fine ancient beds from the Ming, Qing, and modern periods. It includes various wooden beds from wealthy merchants to ordinary commoners, ranging from single-room beds to multi-room beds (equipped with dressing rooms, bathrooms, servant quarters, etc.), showcasing both the extravagance of the nobility and the simplicity of ordinary people.

3.2 Xizha (West Scenic Area)

3.2.1 Mu Xin Art Museum

The Mu Xin Art Museum commemorates and displays the lifelong efforts and aesthetic legacy of the painter, writer, and poet Mu Xin, providing comprehensive documentation for Mu Xin studies. The entire museum building faces south, spanning the surface of Yuanbao Lake in Wuzhen with its elongated, highly modern minimalist form.

3.2.2 White Lotus Pagoda

The White Lotus Pagoda is located on Huanhe Island by the Grand Canal in Xizha. The pagoda has seven stories, stands about 51 meters tall, and is the tallest structure in Wuzhen. Below the pagoda is an octagonal Shenglian Square, featuring a release pond in the center and a stone boat on the eastern riverbank. The White Lotus Pagoda belongs to the pavilion-style pagodas with mixed brick-and-wood structures common in the Jiangsu-Zhejiang region during the Song and Yuan dynasties. Viewed overall, its exterior appears spindle-shaped, but its plan is actually square. The pagoda base is also a 24-meter by 24-meter square, and the interior floor is paved with plain square bricks.#### 3.2.3 Mao Dun Memorial Hall The Lizhi Academy is located east of Mao Dun's former residence. It was originally founded by the local gentry Yan Chen in the fourth year of the Tongzhi reign (1865) and now serves as the Mao Dun Memorial Hall. Its predecessor was the renowned Fenshui Academy, which was situated west of the Fenshui Mound in the north gate area of Wuzhen. The Lizhi Academy stretches from Guanqian Street in the front to Guanhou Street in the back, consisting of five successive courtyards. The lintel above the main gate is inscribed with the characters "Li Zhi" (Aspiration), flanked by a couplet that elucidates the academy's name: "First establish the great, those with determination will ultimately succeed." Beyond the courtyard lies the lecture hall, where a plaque inscribed "You Zhi Jing Cheng" (Where There's a Will, There's a Way) hangs, a gift from Yang Changjun, the Provincial Administration Commissioner of Zhejiang. On either side hangs a couplet composed by the master of Chinese studies Yu Quyuan, which reads: "Following the old model of Fenshui, may all who hear of it aspire to lofty goals; Nurtured by the auspicious aura of Shu Mountain, surely in time talents will emerge."

3.2.4 Zhaoming Academy

The Zhaoming Academy is located on the west bank of the city river in Wuzhen. It is named after Crown Prince Xiao Tong of the Liang Dynasty during the Southern Dynasties period, who once studied here, and is now a key cultural relics protection unit of Tongxiang City. According to the "Wuqing Town Records" from the Qianlong reign of the Qing Dynasty, in the second year of the Tianjian era of Liang (503 AD), Xiao Tong accompanied his teacher Shen Yue to study in Wuzhen, where a study hall was built. Later, the study hall collapsed, leaving only ruins. During the Wanli reign of the Ming Dynasty, out of admiration for Xiao Tong's scholarship, the local official Quan Tingxun erected a stone memorial archway in front of the original site of the study hall. The local scholar Shen Shimao inscribed the archway with the words "Relic of the Six Dynasties" and "The Study Place of Crown Prince Zhaoming of Liang and Minister Shen." In 1977, Mao Dun was delighted to hear that this historic site in his hometown had survived the Cultural Revolution unscathed. In a poem dedicated to his hometown, he wrote the beautiful lines: "The Tang Dynasty ginkgo tree still stands, the Zhaoming Study Room faintly visible."

4. History and Culture

4.1 Naming

Wuzhen was anciently known as Wudun and Wushu. Regarding the "dun" in Wudun, Wang Yuzhou stated in "Er Xi Bian": "Wuzhen was anciently Wudun, named so because its terrain rises like a mound above the surrounding flatland..." There are many theories about the origin of "Wu." One suggests that "when the sons of the King of Yue contended for leadership and were enfeoffed along the coast, one was granted here, becoming the Wuyu clan, hence the name Wudun." Another theory attributes it to "the land god General Wu." Yet another states that "'Wu' has the ancient site of Wutuo, and 'Qing' has the Zhaoming Qing Suo," hence the names Wu and Qing. The explanation put forward by Lu Xuebo in compiling the "Wuqing Town Records," and proposed by local worthies in the "Wuqing Wenxian" in the 27th year of the Kangxi reign (1688), is: "The names Wudun and Qingdun have existed for a long time... Generally, since the creation of the world, how did mountains and rivers get their names? They are all worldly designations passed down through tradition, like 'The green of Qi and Lu never fades,' 'The clear river lies serene like a white ribbon'—these are phrases that capture the spirit of landscapes. The meaning of Wuqing is likely similar."

4.2 Historical Evolution

Archaeological studies of the ancient Tanjiawan cultural site in the suburbs of Wuzhen indicate that approximately 7,000 years ago, the ancestors of Wuzhen were already living and multiplying in this area. That period belongs to the Majiabang culture of the Neolithic Age. During the Spring and Autumn period, Wuzhen was on the border between Wu and Yue. The State of Wu stationed troops here to guard against Yue, historically called "Wushu." During the Qin Dynasty, Wuzhen belonged to the Kuaiji Commandery. It was divided by Chexi (the present city river): the west was Wudun, belonging to Wucheng County, and the east was Qingdun, belonging to Youquan County. Thus, Wuzhen was administered separately. Subsequently, Wuzhen was sometimes under the jurisdiction of Huzhou or Jiaxing in Zhejiang, and sometimes under the administration of Suzhou in Jiangsu. During the Tang Dynasty, Wuzhen was subordinate to Suzhou Prefecture. In the Later Liang, its affiliation remained unchanged, being part of the territory of the Wuyue Kingdom. In the fifth year of the Tianfu era of the Later Jin (940 AD), Xiuzhou was established, and Qingdun then belonged to Jiaxing County under Xiuzhou. In the third year of the Chunhua era of the Song Dynasty (992 AD), Wuzhen belonged to Wucheng under Huzhou. In the tenth year of the Xining era (1077 AD), five western districts of Jiaxing County—Wutong, Yongxin, Qingfeng, etc.—were separated and assigned to Chongde County. Qingzhen was in the Qingfeng district, belonging to Chongde under Xiuzhou. In the early Yuanfeng era of the Song Dynasty (1078 AD), records again mention Wudun Town and Qingdun Town. Later, to avoid the taboo of Emperor Guangzong's name, they were renamed Wuzhen and Qingzhen. During the Jiading era of the Song Dynasty, Jiaxing was elevated to a military prefecture (Jun), and Qingzhen then belonged to Chongde under the Jiaxing Jun. In the second year of the Baoqing era (1226 AD), Huzhou was renamed Anji, and Wuzhen became part of Wucheng County in Anji Prefecture. During the Song Dynasty, the town had a supervisory town official responsible for fire prevention and liquor taxes, and also recruited soldiers for military training to defend against bandits. In the fourteenth year of the Zhiyuan era of the Yuan Dynasty (1277 AD), Wuzhen was part of Wucheng County under Huzhou Lu, and Qingzhen was part of Chongde County under Jiaxing Lu. The town established a Chief Inspectorate. In the fifth year of the Xuande era of the Ming Dynasty (1430 AD), six districts of Chongde County—Muhua, Qianjin, Baoning, Qingfeng, Yongxing, and Wutong—were separated to establish Tongxiang County. Qingzhen belonged to it, under Jiaxing Prefecture; Wuzhen still belonged to Wucheng under Huzhou Prefecture. This administrative relationship remained unchanged until the end of the Qing Dynasty. In the first year of the Republic of China (1912), Wuzhen and Qingzhen remained separately administered. In May 1950, Wuzhen and Qingzhen were finally merged, called Wuzhen, belonging to Tongxiang County under Jiaxing. In 1999, the Dongzha area of Wuzhen formulated the "Overall Plan for the First Phase of Protection and Renovation of the Ancient Town of Wuzhen" and detailed restoration and renovation plans, initiating the Dongzha project for the development of the ancient town,简称 "Dongzha Scenic Area." In 2001, the first phase of Wuzhen's protection and development project, the Dongzha Scenic Area, officially opened to the public. It was praised by a UN expert inspection team as the "Wuzhen Model" for ancient town protection in China. UNESCO approved Wuzhen's inclusion on the World Cultural Heritage Tentative List. On February 18, 2007, the second phase of Wuzhen's protection and development project, the Xizha Scenic Area, officially opened to the public.

4.3 Cultural Activities

In May 2013, the Wuzhen Theatre Festival was founded. Initiated by Chen Xianghong, Huang Lei, Lai Shengchuan, and Meng Jinghui, it is hosted by Culture Wuzhen Co., Ltd. Using the 1300-year-old town of Wuzhen as its stage, the festival comprises elements such as Invited Plays, Youth Competition, Ancient Town Carnival, and Town Dialogues. It is held annually at different times with varying themes. The first Wuzhen Theatre Festival was held from May 9 to May 20, 2013. As of 2024, eleven theatre festivals have been held. Since 2014, it has become the permanent site of the World Internet Conference. (The World Internet Conference is a global internet event initiated by China and held annually in Wuzhen, Zhejiang Province. It aims to promote the global construction of a community with a shared future in cyberspace, establish an international platform for connectivity between China and the world and for shared governance of the international internet, enabling countries to seek consensus amidst differences, pursue cooperation based on consensus, and achieve mutual benefits through cooperation.)

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